Grand Designs: House of the Year 2019 winner revealed
This year's winner of RIBA's House of the Year has been announced
The final of Grand Designs: House of the Year 2019 has now aired on Channel 4 – read on to find out which house was crowned as RIBA’s winner.
A modest, low-budget rural home in County Down, Northern Ireland, has been named House of the Year 2019 by the Royal Institute of British Architects, beating out a stellar shortlist of creative builds as featured on Grand Designs House of the Year.
The single-storey house, known as House Lessans, cost just £1,425 per square meter to build, a total of £335,000. To do this architect Kieran McGonigle of McGonigle McGrath used rough, low-cost materials such as concrete bricks, finished to a domestic standard. He also kept the floor plan simple while maximising the sense of space and light with high ceilings and huge fixed windows, a cheaper alternative to bifold doors.
Exterior layout
House Lessans consists of two perpendicular blocks overlooking a sheltered courtyard. Built on the site of a former farmstead, it takes its cues from a neighbouring shed, using white rendered concrete walls and zinc pitched roofs.
Open-plan design
Inside there’s an open-plan kitchen/dining/living room, as well as three bedrooms and one bathroom. A mezzanine study has been fitted in above a pantry. Pared back interiors follow a soft grey colour scheme. Grey walls follow a consistent height throughout the house, tying everything together, with roof spaces painted a reflective white.
Country views
Sylvia and Michael, owners of House Lessans, said: ‘We feel that the house respects and indeed enhances the landscape. It is a joy to live in – from seeing the soaring bedroom ceiling on wakening, being surrounded by the gentle landscape in the kitchen during the day, to enjoying the sunset in the top room.’
Affordable design
Chair of the 2019 RIBA House of the Year jury, architect John Pardey, said: ‘House Lessans … represents a paradigm in creating relevant contemporary architecture that truly reflects its local context, vernacular and culture. It has an elegant simplicity achieved within a remarkably low budget without excesses, creating delight in the subtly changing volumes as well as its relationship between the inside and outside.’